How Do You Spell Your Name?

Do you have one of these names that, no matter how slowly you say it or even spell it out people still don't understand it? Or perhaps you are asked to spell your name anyway, even if it is Smith?

Our names and last names have gotten even more complicated because we have become so international that foreign names are now the rule rather than the exception.

Now, my first name is really easy to write and seldom is the person who asks me to spell it: Maria. Now, the last name, though still very simple requires deeper attention because it is prone to be misunderstood by the most acute ear.

How Do You Spell Your Name?

The letter R sounds very much like an I, so people write: Moiatto. The first O is often interpreted as A: Maiatto, and nowadays, it seems that even the TTs are being understood as G: Maiaggo. Kind of far from Moratto, don't you think? I bet many people have the same problem.

If I based the spelling of my name on the NATO's Phonic Alphabet, you know, the one used by pilots, the military, and telephone operators, my last name would be: Mike, Oscar, Romeo, Alfa, Tango, Tango, Oscar.

I like the way it sounds; it reminds me of ham radios and the islands of the Pacific for some reason--did I see too many war movies? I also think that there are way too many masculine names in it.

I would have nothing against this if it weren't for the fact that they remind me of some of my former boyfriends, whom I don't really care to remember, not because they were bad men, but because they were bad matches.

A good thing when using this system is that if I were to put the A before the R, then I would get Alfa-Romeo, which is indeed a fabulous sports car and makes me feel truly rich. But alas, the R comes before.

To compensate for this mishap, there are two Tangos in my name and that is just delightful. Tango is a musical and dance expression of passion and it reflects who I am.

However, thinking about the spelling of my name and adding to it the fact that I subscribe to the Law of Attraction that states that what you think and say manifest to you, I decided to find other ways to spell my name that will raise not only my own energy but also that of the person who is writing my name.

I call it Dr. Maria's Phonetic System and I invite you to use it as abundantly as you wish. And feel free to pass it on.

Here it is:

A as in artistic, abundant, affluent, accepting, agreeable, adorable, amazing, amusing, awesome...

B as in beautiful, bountiful, best, better, bold, brilliant, bright, buddy, blessed, beloved...

C as in calm, caring, celestial, confident, comfortable, charming, cheerful, clear, colorful, content...

D as in daring, dear, darling, divine, distinguished, delightful, dainty, delicious, dedicated, dashing...

E as in excellent, exuberant, enthusiastic, energetic, easy, ecstatic, enchanting, eternal, exciting, extraordinary...

F as in fabulous, fantastic, fun, famous, feminine, flexible, forgiving, free, fresh, friendly, father...

G as in great, grand, genuine, glad, glamorous, generous, good, graceful, grateful...

H as in handy, handsome, happy, harmonious, healing, healthy, hopeful, human, humorous...

I as in ideal, important, idyllic, independent, infinite, influential, inspiring, instructing, intelligent, investing, invigorating...

J as in jubilant, joyful, joyous, just, joking, jolly, jovial...

K as in keeper, kind, kissing, knowing, king...

L as in loving, large, laughing, leader, legitimate, living, likeable, lively, loyal, lucky...

M as in money, marvelous, magical, mystical, magnificent, majestic, masculine, merry, master, mature, mighty, mother, monumental, mysterious...

N as in nice, noble, normal, notable, nurturing, nourishing, name, nesting, new...

O as in opulent, observing, objective, open, one, orderly, organic, original, outstanding, overjoyed...

P as in precious, paradise, prosperous, powerful, pleasant, patient, passionate, peaceful, prepared, playful, pretty...

Q as in quaint, qualified, quality, queen, quintessential...

R as in rich, radiant, real, rejoicing, reliable, relaxed, right, rosy, romantic...

S as in sacred, safe, sanctuary, sound, seductive, sensuous, sharing, shiny, significant, simple, smart, sociable, soft, successful, super, sweet...

T as in treasured, tall, tasteful, teaching, thin, thoughtful, touching, transcendent, truthful...

U as in ultimate, ultra, unafraid, unbroken, understanding, unifying, unique, universal, useful...

V as in valuable, varied, venerable, very, virtuous, vital...

W as in wonderful, watchful, wealthy, well, whole, willing, witty...

Y as in youthful, young...

X as in (e)xtraordinary, (e)xtatic...

Z as in zealous...

So, according to this list, I now spell my name as: Marvelous, Outstanding, Rich, Abundant, Truthful, Transcendent, and Original.

How do you spell your name?

How Do You Spell Your Name?
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© Maria Moratto 2006
Want to have more abundance, health, time, love, fun, and blessings? Visit Prescription For Bliss at www.rx4bliss.com, sign up for the newsletter and receive a fr*ee ebook called "Happy People Are More Abundant!"
Dr. Maria Moratto is the author of "The Inspired Healing For Your Body, Mind, and Soul," "The Inspired Healing Journal: Mending Your Broken Heart," and "Attract Money Journal." Visit her site to get fr*ee affirmation cards.
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The Writing Style of Hemingway

For Whom the Bell Tolls portrays the typical Hemingway characters and addresses the issues of machoism and womanizing. In this novel, as in many of his other works, Hemingway employs extensive use of what is known as the Hemingway Code. Numerous influences from various people and events from his personal life also had an effect on his writing.

Many people hold the opinion that there has been no American writer like Ernest Hemingway. A member of the World War I "lost generation," Hemingway was in many ways his own best character. Whether as his childhood nickname of "Champ" or as the older "Papa," Ernest Hemingway became a legend of his own lifetime. Although the drama and romance of his life sometimes seem to overshadow the quality of his work, Hemingway was first and foremost a literary scholar, a writer and reader of books. This is often overlooked among all the talk about his safaris and hunting trips, adventures with bullfighting, fishing and war. Hemingway enjoyed being famous, and delighted in playing for the public spotlight. However, Hemingway considered himself an artist, and he did not want to become celebrated for all the wrong reasons.

Hemingway was born in the quiet town of Oak Park, Illinois, a suburb of Chicago, on July 21, 1899. His father was a physician, and Ernest was the second of six children born to Dr. and Mrs. Clarence E. Hemingway. His mother, a devout, religious woman with considerable music talent, hoped that her son would develop an interest in music. Instead, Ernest acquired his father's enthusiasm for guns and for fishing trips in the north woods of Michigan (Lynn 63).

The Writing Style of Hemingway

From almost the beginning of his writing career, Hemingway employed a distinctive style which drew comment from many critics. Hemingway does not give way to lengthy geographical and psychological description. His style has been said to lack substance because he avoids direct statements and descriptions of emotion. Basically his style is simple, direct and somewhat plain. He developed a forceful prose style characterized by simple sentences and few adverbs or adjectives. He wrote concise, vivid dialogue and exact description of places and things. Critic Harry Levin pointed out the weakness of syntax and diction in Hemingway's writing, but was quick to praise his ability to convey action(Rovit 47).

Hemingway spent the early part of his career as a journalist. In 1937, he went to Spain to cover the Spanish Civil War for the North American Newspaper Alliance. After a few months in Spain, Hemingway announced his plan to write a book with the Spanish Civil War as its background. The result was For Whom the Bell Tolls.

The majority of his early novels were narrated in the first person and enclosed within a single point of view, however, when Hemingway wrote For Whom the Bell Tolls, he used several different narrative techniques. He employed the use of internal monologues(where the reader is in the "mind" of a particular character), objective descriptions, rapid shifts of point of view, and in general a looser structure than in his earlier works. Hemingway believed that "a writer's style should be direct and personal, his imagery rich and earthy, and his words simple and vigorous. The greatest writers have the gift of brevity, are hard workers, diligent scholars and competent stylists(Magill 1287).

For Whom the Bell Tolls is the most serious and politically motivated novel that Hemingway wrote. There are few comic or light episodes in the entire book. For Whom the Bell Tolls is an attempt to present in depth a country and people that Hemingway loved very much. It was an effort to deal honestly with a very complex war made even more complex by the beliefs it inspired(Gurko 127).

Common to almost all of Hemingway's novels is the concept of the Hemingway hero, sometimes known as the "code hero." When Hemingway's novels were first published, the public readily accepted them. Part of this acceptance was due to the fact that Hemingway had created a character whose response to life appealed strongly to those who read his works. The reader saw in the Hemingway hero a person whom they could identify with in almost a dream sense. The Hemmingway hero was a man's man. He moved from one love affair to another, he participated in wild game hunting, enjoyed bullfights, drank insatiably, he was involved in all of the so-called manly activities in which the typical American male did not participate(Rovit 56).

Hemingway's involvement in the war instilled him with deep-seated political views. For Whom the Bell Tolls is a study of the individual involved in what was a politically motivated war. But this novel differs greatly from Hemingway's prior portrayal of the individual hero in the world. In this book, the hero accepts the people around him, not only a few select members of the distinguished, but with the whole community. The organization of this community is stated with great eloquence in the quotation from one of the poet John Donne's sermons upon the death of a close friend. This is the quotation from which the book takes its title:

No man is an Iland, intire of it selfe, every man is a peece of the Continent, a part of the maine, if a Clod bee washed away by the Sea, Europe is the less, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for I thee.

Therefore, while the hero retains the qualities of the Hemingway Code, he has been built up by his unity with mankind. In the end, he finds the world a "fine place," that is "worth fighting for"(Curly 795). In his personal confrontation with death, Robert Jordan realizes that there is a larger cause that a man can chose to serve. In this way he differs from the earlier Hemingway hero. The insistence that action and its form be solely placed on one individual is still present, along with the need for the character to dominate that action. However, this issue is not longer a single matador against a single bull, or an individual character against his entire environment. The person is the "instrument of mankind" against the horrors of war. The political issues of this book are therefore presented not as a "contrast of black and white, but in the shaded tones of reality"(Magill 491).

While Jordan is the epitome of the hero in his actions, he is also in command of himself and his circumstances to a far greater extent than Hemingway's previous heroes; he is driven to face reality by deep emotional needs. Jordan's drives in the novel seem to be a direct reflection of Hemingway's own, because Hemingway had also been deeply affected by the suicide of his own father (Kunitz 561). Ironically, suicide as an escape from reality is a violation of Hemingway's own code. The self-doubt and fear that such an act brings to the children of a person who commits suicide is a well-known psychological outcome. This is perhaps why the painfulness of their fears causes Hemingway's heroes to avoid "thinking" at all costs. For "thinking" too much may prevent a person from reacting. And without something to react to, the hero is left to face his inner fears (Magill 474). Death is also used by Hemingway at the end of the novel to resolve the dramatic conflicts established by the story. The theme of death is likewise observable in other parts of the book, such as when the characters express their concern about dying during the attack on the bridge. As in other works following the suicide of his father, Hemingway brings his characters face to face with death. He admires those who face death bravely and without expressing emotion. For Hemingway, a man does not truly live life until analyzes the significance of death personally(Brooks 323).

In contrast to the Hemingway heroes are his female characters. Hemingway's approach to women in his works is particularly masculine. They are seen and valued in relation to the men in his stories insofar as they are absolutely feminine. Hemingway does not go into their inner world except as this world is related to the men with whom they are involved. The reader comes to view them as love objects or as anti-love figures (Whitlock 231). Part of the reason Hemingway had this opinion of woman was because the way he viewed his mother. He believed his mother to be a manipulator and blamed her in part for the suicide of his father. "The qualities he thought admirable in a man-ambition, and independent point of view, defiance of his supremacy-became threatening in a woman"(Kert 103).

Hemingway's heroines almost always personify the physical appearance of the ideal woman in their beauty. But in their personality they appear as two types: the "all-woman" who gives herself entirely to the hero and the "femme fatale" who retains herself and prevents the hero from possessing her completely. The "all-woman" is acceptable in Hemingway view because she submits to the hero. She wants no other life than with him. By succumbing to the hero, she allows him to dominate her and affirm his manhood. The "femme fatale" is usually a more complex character than the "all-woman" (Lynn 98). While she may or may not be nasty, she does not submit to the hero and wounds him and all the men around her primarily because they can not manage her and thus can not assert their manhood through her. But despite Hemmingway's portrayal of women, he usually has them fall into the same basic category as the men. The heroine, like the hero, obeys the "Hemmingway Code." She sees life for what it is even as she longs for something more. She is basically courageous in life, choosing reality over thought, and she faces death stoically. In practically every case there has already been in her life some tragic event-the loss of a lover, violence-which has given her the strength to face life this way (Lynn 102).

For Whom the Bell Tolls "is a living example of how, in modern times, the epic quality must be projected" (Baker 132). Heroic action is an epic quality, and For Whom the Bell Tolls contains this element. The setting is simple and the emphasis is on the basic virtues of uncomplicated people. The men are engaged in the conflict are prepared to sacrifice their lives; they are exceptional for their deeds of daring and heroism (Baker 94).

Behind the conception of this idea of the hero lies the disillusionment of the American public, the disillusionment that was brought about by the First World War. The impressionable man came to realize that the old ideas and beliefs rooted in religion and ethics had not helped to save man the catastrophe of World War I. As a result, after the war came to an end, Hemingway and other writers began to look for a new system of values, a system of values that would replace the old attitudes which they thought proved to be useless. The writers who adopted these new beliefs came to be known as the "lost generation."

The "lost generation," was a name instituted by Gertrude Stein and it signified the postwar generation and the literary movement produced by the young writers of the time (Unger 654). Their writing reflected their belief that "the only reality was that life is harsh" (Bryfonski 1874).

A great deal has been written about Ernest Hemingway's distinctive style. Ever since he began writing in the 1920's, he has been the subject of lavish praise and sometimes savage criticism. He has not been ignored.

To explain Hemingway's style in a few paragraphs in such a manner as to satisfy those who have read his articles and books is almost impossible. It is a simple style, straight forward and modest. Hemingway's prose is unadorned as a result of his abstaining from using adjectives as much as possible. He relates a story in the form of straight journalism, but because he is a master of transmitting emotion with out embellishing it, the product is even more enjoyable.

The Writing Style of Hemingway
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Public Speaking - Why it is Important

In this day and age Public speaking is becoming vitally important in every market. With so many different opinions out there today are so many different topics it's no wonder that public speaking has taken off dramatically.

Now for most of us, public speaking is a serious challenge and the thought of standing up in front of a small crowd can make the most courageous person feel timid. They may have hesitations in facing an audience, often accompanied by sweaty palms, stuttering, and the tip-of-the-tongue phenomenon. These dilemmas often cause untold problems to the speaker.

Just as some people are born athletes or born extremely intelligent, some people are born speakers and others are not, they need to train themselves to do this and some cases actually end up better than born speakers.. Stage fright is inevitable. Actors are always nervous to a certain degree before every play. If you want to become a top achiever in any field you will need to conquer your fears of public speaking. Success in public speaking can open a whole new world of opportunities for you. Public Speaking can help you conquer new frontiers as well as broadening your horizons through personal development, influence, and advances in your profession.

Public Speaking - Why it is Important

There are many reasons why public speaking can improve your life and I'll give you a few examples:

1. Public Speaking Improves Your Personal Development:
We as humans like to feel good about ourselves and like to be jeered on; giving a good speech will get a good response from the crowd giving you an overwhelming feeling of joy which will in turn give you more confidence in your next speech.

2. Public Speaking Influences Your Society:
If you have got information of value then you should shared it with your chosen society or anybody who wants to listen. By public speaking or doing a video message you can get your message across to hundreds if not thousands of people in one sitting.

3. Public Speaking Advances Your Profession:
Public Speaking can help boost your career and will then boost your income. In the rat race, employees that do most of the public speaking are the ones getting the higher salary, for entrepreneurs that do public speaking can their message across allot clearer and more conscious beating their competition. If you have knowledge and want to share your knowledge or business idea you could sell seats to you show, but you have to give good quality content. Some public speakers are making as much £20k-£70k for a weekends work!

Now while all that sounds very appealing the problem still boils down to confidence and fear. You need to overcome your fear and get a lot more confidence to stand up in front of how ever many people you have to, to make that sort of money. The best way to do this is to do your due diligence on your topic; if you are an expert in that field then you are already a step ahead of the game. The second step is to plan you speech, break it down into sections...

• Introduction
• Body
• Conclusion

If you know your subject inside out you will have nothing to worry about, remember you are the one giving the speech and you are in control.

When giving your speech there are few things to take into consideration:

Volume:

To be an important speaker, you need to have a well modulated voice, so many people are very soft spoken and this lets them down. To overcome this you need to get some more confidence, and practice speaking out loud / voice projection.

Pitch / Tone:

Your pitch is how you present your speech and is an important factor... you do not want to sounds boring and monotonous. You need to vary your pitch at different parts of your speech to keep the crown intrigued, changing from high to medium to low or different tons and accents.

Rate:

Changing the tempos in public speaking is important just like in the pitch or tone. There are 3 rates or tempos you need to use - slow, average and fast. When speaking slowly the speaking rate indicates sorrow, depression, solemnity, when speaking at an increased rate is suggestive of happiness, joy or anger. Words or phrases that are spoken more slowly and more emphatically are considered more important and more intellectually significant than rapidly pronounced words.

The last thing I would suggest is practice...as practice makes perfect. You can't go into something without practicing it. In time you will get better and less practice will be needed, if you need to stand in front of a mirror to gauge your expressions and posture then do so...if you need to record yourself and watch the replay then do so it will all aid into giving you more confidence

Public Speaking - Why it is Important
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Hi there,

Thanks for taking the time, to come to this section to found out a little bit more about me.

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Public Speaking Topics That Excite the Audience

I'm going to help you choice the best public speaking topics that will excite the audience and make you look like one of the speakers. Making the right choice can be the difference between boring the audience and winning them over.

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I'll start by saying that I can't tell you an exact topic to do because this is really dependent on the audience. In some cases you won't have a choice, like doing a presentation to your superiors at work. You want to at least be on topic for what the audience wants. If you're dealing with a technical crowd, it's okay to talk about a technical topic. If you're dealing with an audience of comic book nerds, it is probably in your best interest to talk about comic books. Stay in the range of your audience.

With that said public speaking topics should also make people get attached emotionally to what you say, that means they need a topic that is real. Something that they can identify with on a person level. If you goto Toastmasters, for example, you can really identify with the topic of fear of public speaking. Since it is a public speaking "learn by doing" organization, people will be able to identify with you on an emotional level.

Public Speaking Topics That Excite the Audience

The best thing you can do to get this emotional connection is with story telling. Telling a story is a way to enter into people's minds. It can get past all the filters we have for marketing and avoiding self promotion. It's something we all think is real, exciting and we connect with it on an emotional level.

Public Speaking Topics That Excite the Audience

Becoming a charismatic and moving speaker is in the grasp of all people. If you're looking to learn to transform yourself from an ordinary speaker to extraordinary speaker, check out Public Speaking Ebooks.

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Persuasive Writing Examples - Words Persuade Your Readers To Take Action

It's a given that writing persuasively will help you turn more of your readers into clickers! Getting more prospects to click through to your offering is what it's all about right?

Are there certain words that can make your writing more persuasive? You bet there is.

Copywriting

Persuasive words, are words that get your point across in a clear and concise manner. When writing a persuasive piece (aren't they all persuasive pieces?) the words you use can make all the difference in your bottom line...your CTR (click through rate.)

Persuasive Writing Examples - Words Persuade Your Readers To Take Action

Let's look at a few examples of the use of persuasive words. Which sentence is written using the more persuasive words?

"When trying to earn money online you could try to sell products on your blog."

Or:

"To earn money online use your blog to sell your products."

See the difference? Persuasive writing needs to be crisp, clean (no unneeded words), and above all persuasive!
Here's another example of persuasive writing:

"Article writing can give you backlinks, and might even entice the reader to click on your link at the end of your article."

Or:

"Article writing gives you backlinks, and clicks on your link in your resource box."

When writing with persuasion you should get right to the point without any fluff or wasted words. Stick to the subject of your piece and present a compelling argument, the reader can't ignore!

Persuasive writing is all about convincing the reader using logic and, better yet, connecting with your readers on an emotional level in order to compel them to take the action you set before them.

Learn to write persuasively and you will get more of what you write for...click on your offering, or service.

Learn to write persuasively and your writing will be the best it can be!

Persuasive Writing Examples - Words Persuade Your Readers To Take Action

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Power Words And Phrases

I like to use power phrases when writing sales material. These power phrases add punch to a line or a paragraph and I usually use them to start off a sentence.

You can generally find alot of "power phrases" when reading good sales copy. I usually keep a notebook nearby so that whenever I come across a line or a phrase that I Iike in sales material, I write it down for possible future use.

Copywriting

They are also great for writers block too. When I am stuck in the middle of writing, I'll usually refer to my power phrases, and the next thing I know, the sentences sometimes start writing themselves.

Power Words And Phrases

Some examples of the power phrases I use include:

"Listen closely..."

"As you may already know..."

"Now, I don't know about you..."

"Well, I've got news for you..."

"Let me explain..."

"And best of all..."

"In fact..."

"Here's the bottom line..."

"Quite frankly..."

"Now, I know what you're thinking..."

"Take a deep breathe and relax..."

"The answer is yes..."

Power phrases can be used to grab and hold people's attention so that they keep reading. Some may even call these "hypnotic" phrases.

Even single words can invoke a reaction in some people that can be used to add "punch" to your sales material. I call these power words.
Some power words to use in your marketing include:

Free, Powerful, Incredible, Easy, Shocking, Cheap, Revealed, Best, Uncovered, Hidden, Proven, Results, Revolutionary, Profits, Fantastic, Inside, Learn, Enhance, Hottest, New, Improved, Unbelievable, Ultimate, Offer, Master, Scientific, Private, Breakthrough, Save, Guaranteed, Tricks, You, Love, Limited, Special, Secrets

You can use power words to add punch to a headline, sentence, a short ad, or whatever fancies you.

Those are just a few of the power words and phrases that I have collected over the years.

Do yourself a favor:

Another power phrase...?

No really... do yourself a favor:

Always keep a notebook nearby and look out for words or phrases that capture your attention in sales material. Then write it down. If it captured your attention, it's sure to capture other people's attention too.

And over time, you'll have plenty of power words and phrases to choose from when writing your sales material.

They sure make life alot easier...

And profitable too!

Power Words And Phrases

Al Martinovic publishes a popular internet marketing newsletter at http://www.milleniummarketers.com and runs a successful home business at [http://www.ineedsmokes.com]

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